My work as a plastic artist is developed around a constant sensitive exercise of transfiguration, which starts from the fascination I find for the nature of the being and its condition of human imperfection. Each of my pieces is a process of individual transformation, a delirious decomposition that results from a thorough intervention, which is based on reconstruction techniques such as digital photomontage and other similar processes. I am interested in communicating personal reflections about feelings and conflicts as daily as passion, anguish, repression, melancholy and fear, which impels me to distort human faces and to intervene images with a degree of provocation to fear, to Rejection or fascination in each beholder, who are the ones who finally conclude their own aesthetic experience.