Available Artwork at Revolution Gallery
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Archangelo
1,500.00Craig LaRotonda
Plaster, paper, found objects, acrylic, wood, oil, wax, glass eyes • 15”h x 11”w x 5″d -
Sputnik
1,500.00Craig LaRotonda
Plaster, paper, found objects, wood, egg shells, fabric, acrylic, oil, wax • 15”h x 11”w x 5″d -
By Some Strange Alchemy
1,500.00Craig LaRotonda
Plaster, epoxy clay, paper, gold leaf, wood, acrylic
fabric, oil, wax, glass eyes, sea shell • 14”h x 9”w x 7″d -
The Incarnation
2,500.00Craig LaRotonda
Plaster, Paper, acrylic, woo, oil, wax, gold leaf, glass eye • 22”h x 27”h x 8”d -
Baby Mothman
2,000.00Craig LaRotonda
Plaster, epoxy clay, paper, acrylic, oil, wax, glass eyes, lights, sustainably acquired moth and bird feathers, mixed media • 22”h x 15”h x 6”d -
Rise of the King
1,800.00Craig LaRotonda
Plaster, epoxy clay, paper, acrylic, oil, wax, glass eyes, lights, gold leaf • 14”w x 11”h x 6″d -
Walter the Cat
900.00CASSANDRA KIM
Acrylic and oil on panel in a heavy wood frame with vintage brass plaque • 8”w x 10”h (framed 14″w x 16″h) -
Cow 569
900.00CASSANDRA KIM
Acrylic and oil on panel in a heavy wood frame with vintage brass plaque • 8”w x 10”h (framed 14″w x 16″h) -
Mandy the Goat
900.00CASSANDRA KIM
Acrylic and oil on panel in a heavy wood frame with vintage brass plaque • 8”w x 10”h (framed 14″w x 16″h) -
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Alan’s Interdimensional Attaché Case
900.00John Sauer
Oil on panel • 11” x 14” (Framed 14.5” x 17.5”) -
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Empty Boats Dream
625.00
of Growing RootsAunia Kahn
Acrylic, Gouache, Oil Pastel & Gold Ink • 12” x 16” (Framed 16.5″ x 20”) -
Courtyard of Vanishing Doors
550.00Aunia Kahn
Acrylic, Gouache, Oil Pastel & Gold Ink • 11” x 14” (Framed 14” x 18”) -
The Sky Listens Where
375.00
the Rain Falls SidewaysAunia Kahn
Acrylic, Gouache, Oil Pastel & Gold Ink • 9” x 12” (Framed 12” x 15”) -
Arch of Fallen Raindrops
325.00Aunia Kahn
Acrylic, Gouache, Oil Pastel & Gold Ink • 8.5” x 11.5” (Framed 9.5” x 12.5”) -
Dance of Inverted Rain
325.00Aunia Kahn
Acrylic, Gouache, Oil Pastel & Gold Ink • 9” x 9” (Framed 12” x 12”) -
Ghosts Wear the
325.00
Wind Like A CrownAunia Kahn
Acrylic, Gouache, Oil Pastel & Gold Ink • 8” x 10” (Framed 13” x 15”) -
Parliament of Embers
250.00Aunia Kahn
Acrylic, Gouache, Oil Pastel & Gold Ink • 6.5” x 7.5” (Framed 9” x 10”) -
Sacred Flame
250.00Aunia Kahn
Acrylic, Gouache, Oil Pastel & Gold Ink • 6.5” x 7.5” (Framed 9” x 10”) -
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Bursting with Blooming Love
600.00Steph Stevenson
Watercolor & Gouache on Watercolor Panel • 12.5” x 10” -
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Unspoken
900.00Keight MacLean
Acrylic, spray paint and paint marker on wood panel with wood frame
10 x 12.25” (framed) -
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SPIRITS IN BLOOM – A Witchy Tea Party and Creative Gathering
35.00Thursday | October 24th • 7:00pm
Prepayment is required to reserve your spot – $35.
Please see event page HERE for complete details!
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Vita In Morte Sumus (In the Midst of Life, We are in Death)
1,000.00Chris Galley
Mixed media
12” x 36” -
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Age of Apocalypse
8,000.00DANIEL MARTIN DIAZ
Graphite and crimson pencil on paper / 19th Latin Missal
35” x 32” -
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Elviss Set
1,500.00DEREK HENDRICKSON
Mixed Media | Sold as a Set of 4Paul Presley • 8”h x 6″w x 5″d
Presley Criss • 8″h x 6.5″w x 5″d
Ace Presley • 8″h x 8.5″w x 5″d
King Simmons • 8″h x 10.25″w x 6″d -
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PAGE 23 by Aaron O’Brian
200.00Aaron O’Brian
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 22 by Lucky Prak
300.00Lucky Prak
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 20 and 21
600.00
by Tyler Patrick BossTyler Patrick Boss
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) • sold as a set -
PAGE 24 by Falynn Koch
300.00Falynn Koch
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 25 by Darius Johnson
400.00Darius Johnson
Diptych Set
Ink on 400 series Strathmore Bristol board • 13.5”w x 10.375″h (framed 15.375″w x 12.625″h) -
PAGE 18 and 19 by Max Weiss
400.00Max Weiss
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) • sold as a set -
PAGE 26 by Jacob Carroll
300.00Jacob Carroll
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 17 by Ryan Besch
500.00Ryan Besch
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 27 by Destiny Caceres
120.00Destiny Caceres
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 16 by Tessa Davidson
200.00Tessa Davidson
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 28, 29, 30 by Eric Keller
1,200.00Eric Keller
Triptych Set
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 14 and 15
650.00
by Autumn ZaionzAutumn Zaionz
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) • sold as a set -
PAGE 13 by Bobby Griffiths
300.00Bobby Griffiths
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 32 by Kyle Butler
600.00Kyle Butler
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 12 by Andrew Burgess
200.00Andrew Burgess
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 33 by Phillip Longson
600.00Phillip Longson
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 11 by Dri Snow
400.00Dri Snow
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 34 by Courtney Menard
400.00Courtney Menard
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 35 by Stephen Forman Jr.
250.00Stephen Forman Jr.
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 08 by Mia Weller
300.00Mia Weller
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 36 by Andrew Burgess
300.00Andrew Burgess
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 37 by Aaron O’Brian
400.00Aaron O’Brian
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 07 by Phil McAndrew
400.00Phil McAndrew
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 06 by Emily Churco
500.00Emily Churco
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5″h (framed 12.625″w x 15.375″h) -
PAGE 05 by Dri Snow
600.00Dri Snow
Ink on 400 series Strathmore Bristol board • 13.5”w x 10.375″h (framed 15.375″w x 12.625″h) -
PAGE 02 and 03 by KENNY LEON ANDINO
800.00Kenny León Andino
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5”h (framed 12.625″w x 15.375″h) • sold as a set -
PAGE 01 by Dan Lauer
100.00Dan Lauer
Ink on 400 series Strathmore Bristol board • 10.375”w x 13.5”h (framed 12.625″w x 15.375″h) -
Cow 569
900.00-
COW 569’S BIO
February 16th, 2004, on a farm near Woodville, New Zealand, there were devastating floods in the Manawatū and Rangitīkei regions. The river began to envelop her farm, and Kim Riley and her husband woke to get their herds up to higher ground. Separated from the other hands, Kim soon found herself and her herd swept up and floating down the current of the rising floodwaters.
Treading in the current for 40 minutes, Kim noticed the cows were heading towards an accessible dry section of land. Trying to follow their example and swim across the current to shore, Kim became
exhausted, and looked around for something to grab on to. That’s when she saw Cow 569 swimming directly towards her. Grabbing her mane, Cow 569 carried Kim safely to dry land. After coming ashore Kim was in shock, couldn’t stand, and was eventually found by her husband. Kim says she owes her life to Cow 569. “She was always number 569 to us. We never considered giving her another name, but she was more than a number. She was special.”
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DETAILS OF ARTWORK
Acrylic and oil on panel in a heavy wood frame with vintage brass plaque • 8”w x 10”h (framed 14″w x 16″h)
February 16th, 2004, on a farm near Woodville, New Zealand, there were devastating floods in the Manawatū and Rangitīkei regions. The river began to envelop her farm, and Kim Riley and her husband woke to get their herds up to higher ground. Separated from the other hands, Kim soon found herself and her herd swept up and floating down the current of the rising floodwaters.
Treading in the current for 40 minutes, Kim noticed the cows were heading towards an accessible dry section of land. Trying to follow their example and swim across the current to shore, Kim became
exhausted, and looked around for something to grab on to. That’s when she saw Cow 569 swimming directly towards her. Grabbing her mane, Cow 569 carried Kim safely to dry land. After coming ashore Kim was in shock, couldn’t stand, and was eventually found by her husband. Kim says she owes her life to Cow 569. “She was always number 569 to us. We never considered giving her another name, but she was more than a number. She was special.”
Acrylic and oil on panel in a heavy wood frame with vintage brass plaque • 8”w x 10”h (framed 14″w x 16″h)
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Mandy the Goat
900.00Cassandra Kim
Acrylic and oil on panel in a heavy wood frame with vintage brass plaque • 8”w x 10”h (framed 14″w x 16″h)-
MANDY’S BIO
Noel Osborne, a 78 year-old Australian farmer, had a terrible day. On an October day in 2002, while he was getting work done on his farm, one of his cows knocked Noel over a pile of manure, instantly breaking his hip. Immobilized and no way to call for help, Noel was trapped. For days, Noel was exposed to the scorching Australian heat and frigid nights. Fortunately, he wasn’t completely alone. Mandy, his nanny goat, heard him and came to be near.
The Mirror quoted Mr. Osbourne, saying: “That evening Mandy came, and I was able to get hold of an old bottle and I milked her into the bottle and I was able to have a drink. She slept there beside me every night I was there.” For 5 days Noel laid there, unable to get up and every night Mandy the goat stayed by him to keep warm.
Eventually, Noel was rescued by his friends and was taken to the hospital, where he made a full recovery.
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DETAILS OF ARTWORK
Acrylic and oil on panel in a heavy wood frame with vintage brass plaque • 8”w x 10”h (framed 14″w x 16″h)
Noel Osborne, a 78 year-old Australian farmer, had a terrible day. On an October day in 2002, while he was getting work done on his farm, one of his cows knocked Noel over a pile of manure, instantly breaking his hip. Immobilized and no way to call for help, Noel was trapped. For days, Noel was exposed to the scorching Australian heat and frigid nights. Fortunately, he wasn’t completely alone. Mandy, his nanny goat, heard him and came to be near.
The Mirror quoted Mr. Osbourne, saying: “That evening Mandy came, and I was able to get hold of an old bottle and I milked her into the bottle and I was able to have a drink. She slept there beside me every night I was there.” For 5 days Noel laid there, unable to get up and every night Mandy the goat stayed by him to keep warm.
Eventually, Noel was rescued by his friends and was taken to the hospital, where he made a full recovery.
Acrylic and oil on panel in a heavy wood frame with vintage brass plaque • 8”w x 10”h (framed 14″w x 16″h)
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Walter the Cat
900.00-
WALTER’S BIO
Hazel Parkyn of Dorset, England, has type 1 diabetes, and if her blood sugar drops too low, she can go into seizures or even fall into a coma. Unfortunately, complicating the matter was that Hazel’s husband, Darren, often had to work night shifts, which made nights somewhat risky for Hazel. Thankfully, an unlikely helper was nearby: her cat Walter. The first time her sugar got low and Walter woke her up, Hazel didn’t understand what was going on.
Hazel said,”The first time he helped me out, he was smacking me around the face with his paw.” Her cat was so persistent that she finally turned her light on, and when she did, she noticed how blurry the room was. She thought her blood sugar must be low, and it turned out it was at a potentially life-threatening level. It was then that she became aware of what Walter was trying to tell her. Since then, Walter has done the same thing over and over, and he now stays by her side at night to be her warning system.
Studies have shown that cats’ sense of smell is 14 times stronger than humans. The chemical change that can happen in a diabetic is too subtle for our nose, but it is likely cats can detect it. “When Walter comes in at night and settles on the bed,” Hazel said,” I feel safe.” As of 2020, Walter has saved Hazel’s life over 50 times.
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DETAILS OF ARTWORK
Acrylic and oil on panel in a heavy wood frame with vintage brass plaque • 8”w x 10”h (framed 14″w x 16″h)
Hazel Parkyn of Dorset, England, has type 1 diabetes, and if her blood sugar drops too low, she can go into seizures or even fall into a coma. Unfortunately, complicating the matter was that Hazel’s husband, Darren, often had to work night shifts, which made nights somewhat risky for Hazel. Thankfully, an unlikely helper was nearby: her cat Walter. The first time her sugar got low and Walter woke her up, Hazel didn’t understand what was going on.
Hazel said,”The first time he helped me out, he was smacking me around the face with his paw.” Her cat was so persistent that she finally turned her light on, and when she did, she noticed how blurry the room was. She thought her blood sugar must be low, and it turned out it was at a potentially life-threatening level. It was then that she became aware of what Walter was trying to tell her. Since then, Walter has done the same thing over and over, and he now stays by her side at night to be her warning system.
Studies have shown that cats’ sense of smell is 14 times stronger than humans. The chemical change that can happen in a diabetic is too subtle for our nose, but it is likely cats can detect it. “When Walter comes in at night and settles on the bed,” Hazel said,” I feel safe.” As of 2020, Walter has saved Hazel’s life over 50 times.
Acrylic and oil on panel in a heavy wood frame with vintage brass plaque • 8”w x 10”h (framed 14″w x 16″h)
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Dark Celebration
1,000.00Esther Limones
Original artwork photocollage printed on sand paper and framed in wood • 1 / 1 • 9”w x 12”h (12″w x 19″h framed) -
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Fanny’s Lighthouse
499.00Juliet Schreckinger
Ink and graphite on Arches paper, mounted to birch panel, varnished • 5”w x 7”h -
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The Illustrious Trip to the Moon
220.00ILONA CUTTS
Giclée Print on Hahnemuhle 310gms textured paper
Limited Edition of 150
Image Size 15.5 x 12.5
Paper Size 17.5 x 14 • 2023 -
Conversations with his Majesty
150.00ILONA CUTTS
Giclée Print on Hahnemuhle 310gms textured paper; Limited Edition of 150
Image Size 11 x 14
Paper Size 13 x 16 • 2023 -
A World Within
220.00ILONA CUTTS
Giclée Print on Hahnemuhle 310gms textured paper; Limited Edition of 150
Image Size 15 x 16.5
Paper Size 17 x 18 • 2023 -
Time Harlequin
220.00ILONA CUTTS
Giclée Print on Hahnemuhle 310gms textured paper; Limited Edition of 150
Image Size 15 x 16.5
Paper Size 17 x 18 • 2023 -
Lucid Dreams
220.00ILONA CUTTS
Giclée Print on Hahnemuhle 310gms textured paper; Limited Edition of 150
Image Size 15 x 16.5
Paper Size 17 x 18 • 2023 -
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Sale! 
Ang Makabagong Poon (2)
Original price was: 700.00.525.00Current price is: 525.00.JOJIT SOLANO
Acrylic on canvas • 12 x 18 -
Wizard Hunter
650.00REGEN MULINGTAPANG
Mixed Media (Aves Apoxie sculpt, non-sag epoxy wood, steel, found objects, discarded toys, acrylic paint) • 5.50 x 6.75 x 9.75 -
Rathole
550.00REGEN MULINGTAPANG
Mixed Media (Aves Apoxie sculpt, non-sag epoxy wood, steel, found objects, discarded toys, acrylic paint) • 5.25 x 9.75 -
Head Dirt
499.00REGEN MULINGTAPANG
Mixed Media (Aves Apoxie sculpt, non-sag epoxy wood, steel, found objects, discarded toys, acrylic paint) • 7 x 10.5 x 8 -
Bawal (Prohibited)
450.00REGEN MULINGTAPANG
Mixed Media (Aves Apoxie sculpt, non-sag epoxy wood, steel, found objects, discarded toys, acrylic paint) • 3.25 x 7.75 x 9 -
Major Giza
900.00REGEN MULINGTAPANG
Mixed Media (Aves Apoxie sculpt, non-sag epoxy wood, steel, found objects, discarded toys, acrylic paint) • 4.75 x 10.5 x 15 -
Big Mouth With Attitude
700.00REGEN MULINGTAPANG
Mixed Media (Aves Apoxie sculpt, non-sag epoxy wood, steel, found objects, discarded toys, acrylic paint) • 6.5 x 9 x 9.75 -
Death by Solitude
900.00REGEN MULINGTAPANG
Mixed Media (Aves Apoxie sculpt, non-sag epoxy wood, steel, found objects, discarded toys, acrylic paint) • 8 x 11 x 12 -
The Weapon They Fear
600.00REGEN MULINGTAPANG
Mixed Media (Aves Apoxie sculpt, non-sag epoxy wood, steel, found objects, discarded toys, acrylic paint) • 5.25 x 10 x 6.75 -
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